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Mixed Tape 1.10.-31.10.2004

Ryan Stec

“Mixed Tape” is the result of a curatorial/artist residency I undertook in Vaasa, Finland at Platform Gallery and Artist Association. During this time I spent extensive time doing research at both of the Finnish Av-Arkki and Swedish FilmForm video art distributors, visiting as many artist-run and contemporary spaces as I could, and meeting with artists from around Finland and Sweden.

The performance/exhibition that resulted was a unique video art presentation where, as a curator and technician, I played a mediating role in the viewers’ experience, and fused a contemporary VJ performance (during the opening) with a traditional screening for the exhibition period. This project was a continuation of my interest in the concept of plurality of perspectives and viewing experiences, and challenges the notion of a work of art being finite and complete. Instead Mixed Tape presented the idea that works of art are evolving and changing contstantly. This presentation also pushed the boundaries of a curators role by beyond simply recontextualizing the video works and fusing them with each other to create a exhibition which was quite different from the sum of its individual works.

Ryan Stec

Ryan Stec is a Canadian artist based in Ottawa and was the first artist-in-residence at Platform in September 2004.

 

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Waldlust 22.8.2004

Lasse-Marc Riek & Tobias Schmitt

Platform invited the visiting artists of the Nelimarkka museum residency program Lasse-Marc Riek (D) and Tobias Schmitt (D) to present their sound work.

 

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Loop 5.8.2004

silver

Platform showed the video LOOP by silver, a virtual identity artist, existing since the year 1994. The area of its interest is computer interactive art, virtual reality, internet art, artificial intelligence and psychedelic aspects of artificial computer reality. Silver shows its work at exhibitions of fine arts as well as computer art on the Internet.

LOOP
…showing an endless succession of young couples kissing alternatively each other, accompanied by sloppy advertisement music. The treatment of the theme obviously alludes to erotic films or to the happy end scenes in Hollywood movies. On the other hand, however, we may also read the message of Loop as an existential view of human destiny. And it is exactly this conglomerate of references that induces feelings of ambiguity, pathos and irony. (Katerina Pavlickova)

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Waldlust

Lasse-Marc Riek & Tobias Schmitt | 22.8.2004

Platform invited the visiting artist of Nelimarkka museum residency program Lasse-Marc Riek(D) and Tobias Schmitt(D) to present their sound work.

 

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Loop

silver | 5.8.2004

Platform showed the video LOOP by silver, a virtual identity artist; exists since the year 1994. The area of it’s interest is computer interactive art, virtual reality, Internet art, artificial intelligence and psychedelic aspects of artificial computer reality. Silver shows it’s work at exhibitions of fine arts as well as computer art on the Internet since 1994.
LOOP
…showing an endless succession of young couples kissing alternatively each other, accompanied by sloppy advertisement music. The treatment of the theme obviously alludes to erotic films or to the happy end scenes in Hollywood movies. On the other hand, however, we may also read the message of Loop as an existential view of human destiny. And it is exactly this conglomerate of references that induces feelings of ambiguity, pathos and irony. (Katerina Pavlickova)

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Stability Mobility, Rotterdam 30.6.-2.7.2004

Rotterdam

Platform was invited to participate in the StabilityMobility seminar in Rotterdam. Together with Leif Skoog from Gallery 54 in Gothenburg, Ulrika Ferm held a workshop on Art in the Periphery.

 

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Therapy of shock 11.5.2004

Eulalia Domanowska

Platform invited Eulalia Domanowska (P). She held the lecture “Therapy of Shock” – about Polish art in the past decade.

 

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Therapy of shock

Eulalia Domanowska | 11.5.2004

Platform invited Eualalia Domanowska(P). She held the lecture “Therapy of Shock” – about polish art in the past decade.

 

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Citymind Helsinki


17.4–9.5.2004

Galleri Huuto from Helsinki was the third guest Platform invited in spring 2004 on the theme Citymind. Galleri Huuto was founded in November 2002 from a strong urge to create a new independent and non-commercial exhibition space. Huuto was founded by 24 young artists as a one-year project, but continued after this and has today considered one of the most interesting exhibition spaces in Helsinki. The founding members of Huuto had in common an interest to gather different kinds of artists without forcing any artistic manifest. For the Huuto-members it was natural to offer the all members the possibility to participate in the Platform exhibition. They chose to use a democratic and multi purposed technique – the dia-positive. All artists handle dia_positives in different situations in their work. Everybody has them. Some of the artists had concentrated on the Citymind theme and prepared their pictures especially for the exhibition, but there was also pictures from private archives or found pictures. In the exhibition space they built an installation of several projectors and over 400 pictures that was projected on different surfaces that simultaneously divided the room.   The installation can be seen as mirroring a cityscape where the visitor move between the sounds and pictures that are constantly changing. The sounds was mixed with the clicking of the projector and together with the pictures formed a kind of “citymind”.

At the opening night the Helsinki based Pink Twins played at the market square in Vaasa.

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Passion 16.4.-29.4. and 30.4.-2.5.2004

Platform at MAMA in Rotterdam

The initial idea of curating a show about Finnish manliness resulted in two solo shows titled Passion.

Jörgen Erkius (SWE) Opening 16.4.2004
Lives and works in Berlin, Germany. Erkius’ work is based on a performance-like process. Often taking the form of a kind of circuit – it starts, goes on and ends, returning to a similar path as it began from. This process is documented. Sometimes the result is photos, sometimes video. The objects he uses are gone – something has changed, there is a trace of the happening left. In MAMA Jörgen engaged a motorcycle-stuntman to perform for the opening. The exhibition consisted of the trace he had left and a documenting photograph.

Jouni Partanen (FIN) Opening 30.4.2004
Lives and works in Lahti, Finland. Partanen often works spontaneously within or with a given social context. He is a performance artist, often within collaborations, but works also with drawings and objects. He uses himself as an object and as a frame of reference. This is a process where a series of performances, previously made objects, drawings and sometimes personal belongings leads to an installation. At the opening Jouni gave away or burnt all belongings, clothes and money he had brought with him, leaving himself naked and scraped bare in the street. Uncertain how the performance will end.

The exhibition was curated by Ulrika Ferm.

 

 

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