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Month: April 2025

Platform Live: Autumn Darkness 18.11.2011

Autumn Darkness
Friday 18.11.2011 19.00 at Doo-Bop Club (Kauppapuistikko 12)

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Nice experimental music to lighten up the dark autumnal atmosphere…
Live sets:
Hei (www.myspace.com/heiei)
Ig Noir (www.myspace.com/ignoirmusic)
Rasmus Hedlund/Tuomo Väänänen (www.facebook.com/Ljudverket)

+ DJ Arvid van der Rijt

Entrance 5,–

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Out on the edge 3.-4.6.2006

The symposium is a spin-off of the idea that we automatically and inevitably look for and strive to place ourselves in relation to a common structure. Within this structure, some of us act geographically, historically or socially from out of a centre and others, in one or more aspects, out of a more distant location or state of mind.

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Jenni Österlund

Business Manager

“My best ”

 

 

 

 

 

 

 

Geir

 

 

 

 

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OPEN CALL 2023/24

During the last years the cultural sector has been suffering due to the pandemic. In the year 2022 we wanted to feel a bit more cheerful, start over and start fresh. The theme of 2022 was New beginnings.

The theme question of 2023 / 24 is “The relevance of art work and artworks?”

In 2023 we want to reflect on the artist’s role, the practice of the artist and the relevance of art work(S). What is the relevance of your work and artworks and how does your practice relate to the Platform residency question?

There are no wrong answers. Even the Platform board is struggling to articulate an answer:

 

Sara: “To me, it’s difficult to answer without jumping into more of an existential discussion. It comes down to finding purpose, both on a personal level and on a common human level. We can survive without art, but what value does that existence ultimately have? To evolve we need to reflect and art (work/works) functions as that pause for thoughts. It’s in a common human interest to form societies where there is room and a strive for pausing and reflecting. In a crisis we don’t have time to think – only act, so for me the possibility to be able to work with art is a sign of a healthy society. The relevance of art works is perhaps how well this reflection on society resonates with the rest of us. The relevance and value of art work and art works are not the same thing. Every piece of art is an individual piece of documentation on societal evolution and a personal piece of our shared story. How we value art work and individual art works reflects us as a society.”

 

Johan: “The relevance of art works and art work.  It’s way more relevant than a lot of other work or at least less bad than a lot of other stuff done in the name of work. Oh, I made the assumption that relevancy = good. Maybe this isn’t correct?”

 

Geir: “I think that one of the strengths in art work is the fact that you deal with uncertainties, to handle the nonsensical and create a space for it is necessary. With the nonsensical and the uncertain I’m not referring to being absurd for the sake of it nor the creative buzzwords of the day, but more generally to the mode of thinking and criticality that comes with art work. The revelations that might come with being comfortable in delving into the uncertain. Though I think it’s hard to write and think about art and art work with all the realities surrounding being an artist as the mind wants to go on to ramble about tangents.”

 

Jenni: “We picked such a complex question this year and it’s hard to articulate an answer in just a few sentences. Therefore I look forward to discussing the theme with you when you arrive for your residency! But let’s say that the relevance of artworks and art work changes by time, context, audience and artist. What’s the relevance of your art work(s)? “

What’s your take on the question? And how does your work relate to the question?We can’t wait to hear it! No matter if you already found the answer of if you are freaking out, apply!

 

We offer accommodation, travel expenses (one return trip, cheapest possible) and a working grant (approx. 300 € per week). We also offer a small production budget of 1000 €, which the artist may reimburse by presenting original receipts of purchases, specifically connected to the project produced during the residency. The apartment is located near the city center in Vaasa. There is a bike, a set of tools and equipment available for the artist. There is wireless broadband access in the apartment. Platform does not at the moment house a studio, however a project space in the city center is available. The planned projects have to take this into account, space can be rented or borrowed if needed for the realization of the project and has to be negotiated in advance. The artist is given a contact person who is in charge of necessary arrangements, if any additional assistance is needed it has to be agreed upon well in advance.

We ask the artist to realize a project, which can be presented either during the residency or at a later stage. The artist is expected to give a public talk, performance or workshop about his/her/their work or an introduction to yourself at the beginning of the residency. We expect the artist to be able to communicate in English, Swedish or Finnish. We require the artist to spend at least 80% of the residency’s duration in Vaasa and the working grant is proportional to days spent in Vaasa. The artists are required to submit documentation of the produced project to Platform, as well as press release / information text / informal report or equivalent.

Application procedure

Please follow these instructions closely. Applications not following these requirements will not be considered. We require the artist to send a digital application to info@platform.fi with the subject ‘Residency Application 2023/24’ by the 20th of June 2022. The application should be one PDF document with your full name as the title of the document. Don’t paste any relevant information in the email that is not part of the PDF. Please include the following in the PDF:

An informal project plan or motivation letter, max one page. The aim of the letter should be describing the kind of project you imagine doing in Vaasa and your motivation to apply for this residency and how you see that your artistic work connects to the question of “The relevance of artworks and art work?” The project plan should also include your preferred period of time, and state if the time period is relevant for the project as well as clearly state what time/ times that aren’t suitable.
Descriptions and images of 5 projects or art works. For videos, please add direct links to websites in the PDF.
A CV of max two pages, including: name, date and place of birth, current location as well as email and phone number.
The application shall occupy no more than 12 pages and 5 mb. All submitted material should be Macintosh compatible. The board of Platform will make the selection. Only chosen artists will receive a notification about the selection during July 2022. The board is under no obligation to justify the selection. If you have questions about the residency please ask them well before the deadline.

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BÖD – Night of the arts 2022

 

“One thing for another, that’s what Bod proposed to the guests coming to Platform during the Night of the Arts, where a shop was arranged for the audience to take home the items they like.

 

 

 

 

 

 

 

 

 

 

 

Based on the action of Trueque*, Böd initiated an exchange with its visitors by inviting them to touch and move around the space as if they were in a department store. (alternative: as if they were in a one person owned business).

*Trueque is the Spanish for swap, a direct exchange of goods and services, without the intervention of money, and exchanging one thing for another.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

By doing so, the visitors could take home -for free- any of the displayed objects: Tye dyed clothes from the clothes concept shop and from the cabinet of curiosities that arranged a series of curious and not-so curious objects, and enjoy a fantastic drink in the Tiny Bar.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For leaving the space with something between the hands, or in the pockets, or inside the body, visitors were asked to pass by the Welcome Center (alternative:Kassa, Cashier) and swap in exchange for the consumption, a drawing, a note or a conversation.

The space and its islands of products invited consumers to consume without money, to look at the everyday in a different way and to imagine together what the future could be for Vaasa’s empty (alternative: available) commercial units. (alternative: in times the way we consume is pivoting to digital)


Furthermore, Bod is a third hand shop, meaning that all displayed articles are primarily used, discharged, found, or acquired from second hand shops, inviting to re-examine the relation towards consumption and material things.


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Basics of Dj:ing WORKSHOP

The Basics of Dj:ing WORKSHOP
Teacher: Michele Uccheddu
Saturday 18th of February
13.00 – 16.00
Kyrkoesplanaden 20 D
The workshop is free, but you need to sign up!
Sign Up Here – info@platform.fi
Send us your Name and Phone number
The Basic DJ Workshop is designed for anyone who wants to explore the exciting world of DJing. Participants will have the opportunity to try their hand at different mixing techniques, familiarize themselves with the technology, and receive a brief overview of the history of music DJing.
The focus is not only on learning, but also on having fun and making new connections. You will experiment with music alongside others and discover new tunes along the way.
By the end of the workshop, you will:
• Gain a deeper understanding of the history and art of DJing
• Practice various mixing techniques with hands-on experience
• Enjoy making music with others while socializing and discovering new tunes
• Enhance your listening skills
• Make new connections with other music enthusiasts.
DISK JOCKEY
The disc jockey is usually an entertainment professional whose task is to select, very often in a discotheque or club, depending on the tastes of the public, the occasion, but also on his personal style, pieces of music of various kinds, through an amplification system, which the environment itself is equipped with, and to which the console (or disc-console) is connected…Want more?
Welcome!

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Oleksii Karpovych, Artist-in-residency December-January

We are happy to announce a special guest! Oleksii will be staying in our residency for a period during December to January. The main goal of his residency is to create and publish documentation of Platform’s project Ljudfest in December.

With his artistic vision and unique perspective his documentation will be a crucial part of the event and we are happy to welcome you to Platform!

Karpovych has worked in the field of cultural journalism since 2007 as photographer, editor and writer for publications such as Afisha, Ukrainian Pravda, Life, ACC (Architecture. Criticism. Culture), Cultprostir, Jazz Forum in Poland, and I Rock Jazz in the US. He is founder and art director of the Ukrainian online platform for improvisational music Meloport, since 2017. Since February 24th 2022 he has been working as a photographer for projects such as Ukrainer, and as a fixer and local producer for international media such as BBC and Aljazeera Arabia.

Currently, the main thing for Oleksii is reportage, photographing current events during the war and in the socio-cultural field, volunteering, military topics with military personnel, which he cannot publicly exhibit at the moment.

@oleksii_karpovych @o.karpovych.photo

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